This Note
is one
of a series
where I give my ideas on aspects of Reiki and/or energy work. The pages
are intended to give some "food for thought" and some are only my
viewpoint. While a number of facts may be included, you should decide
for yourself how much (if any) of the content feels right to you.
![O-Sensei: A View of Mikao Usui](http://www.threshold.ca/reiki/graphics/O-Sensei-by-Dave-King.jpg) When I first learned the Reiki symbols I read a variety of stories that
explained their origin, including one about Usui Sensei seeing the symbols appear
in bubbles of light during a meditation. However it wasn't until Melissa
Riggall shared something with me in an email in late 1996, that I began to have
a growing understanding of where and why they originated. This in turn would lead me to discover more of
Sensei's interest in these "connections" as they applied to his
original Usui-no-michi teachings. If you have read the most excellent and
revealing book by Dave King titled "O-Sensei: A View of Mikao Usui," then you
know Usui came across the symbols (and possibly others) in Zen Buddhist
material, learning their origins and use in Chinese Taoism. Using notes
from the Hayashi student, Mr. Tatsumi, Melissa discovered one of the actual
books Usui had been reading in an old temple library, the book with the symbols
in it. It still had Usui’s hanko stamped on the borrower's card, dated 1904. In
Melissa and Dave’s training with Mr. Tatsumi, Mr. Onuki (an Eguchi student) and
Tenon-in (an Usui student) they learned Usui taught the symbols as they were
originally presented, each intending to awaken and develop an inner
"connection" to one's own abilities or traits.
The original kata was
performed very slowly, respectfully and as I mentioned, mindfully and without judgement. The kotodama
would be voiced in a long, monotone sort of chant, somewhat similar to that in
Shinto. The entire kata is really something one needs to experience with
the guidance of a teacher, rather than just read about or watch on video.
Participation in an Usui Teate class is an ideal setting for something like
this as it is conducted very close to how Usui Sensei taught (although in
English). Somewhere along the way the URR Gakkai modified this kata and
eventually, through the teachings of Dr. Hayashi, this led to the modern form
of activating each symbol. Mr. Doi revealed that in the Gakkai,
they even dropped the drawing of the actual symbols, retaining only some form
of the kotodama. The drawings might only be shown to a senior student,
mainly as an historical note. Thanks to Hayashi's teachings and the notes
of some of his students like Mrs. Takata and Mr. Tatsumi, we know what the
original drawings were. However, some Japanese
students, like Mrs. Yamaguchi, may not have been taught the 4th (Nidan) symbol
by their Shinpiden level teacher (hers was her uncle, Wasaburo Sugano).
Yet this symbol was clearly part of other students' Reiki education, as well of
course, part of Usui's originally class material. ![smile](graphics/49_49.gif)
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